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do-as-youre-told:

stimmyabby:

Sometimes people use “respect” to mean “treating someone like a person” and sometimes they use “respect” to mean “treating someone like an authority”

and sometimes people who are used to being treated like an authority say “if you won’t respect me I won’t respect you” and they mean “if you won’t treat me like an authority I won’t treat you like a person”

and they think they’re being fair but they aren’t, and it’s not okay.

This is so well put I am stunned

(Source: flyingpurplepizzaeater, via brightnessdavar)

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stripedbowtties asked, "Hi, I was just reAding your defence against bad writing and I agree with it but I was just wondering what you meant by Mary Sue? You referred to it a few times. Thanks"

seananmcguire:

thefourthvine:

The short answer: Mary Sue is the author’s idealized self-insert. (If you want to know alllll about Mary Sue, including the history and origins of the term, TV Tropes has your back. Also, if you aren’t careful, your mind and soul. Pack a lunch.) A Mary Sue story is one that primarily features a Mary Sue.

The slightly longer answer: That story you used to tell yourself, about the awesome girl who was totally pretty and everyone liked her and she maybe had magic powers and also like fifteen skills that you wished you did and also her hair never did that, you know, THAT THING your hair always does? And she was in your favorite fictional (or real person fictional) world, and all the characters or people that you loved the most loved her, and she married them or solved their problems or saved them or made them awesome food or held them when they cried? That story was a Mary Sue story, and that girl was a Mary Sue. Sometimes people write those stories down and post them. (AND THAT IS FINE.) Often the stories have limited appeal beyond the author and maybe her friends. (BUT THAT IS ALSO FINE.)

The “Sorry, you kind of touched a nerve” answer: While we can all identify our own Mary Sues, even if we’ve never written them down, people tend to spend a lot of time figuring out if other people have maybe written a Mary Sue, and checking every female character for potential Mary Sueism. In fandom times of old, the letters “OC” (original character) in a story header were a giant flag that meant Potential Bad Story Here, and the letters “OFC” (original female character) were translated as Guaranteed Bad Story Here. So people mostly stopped putting original female characters in their fan fiction.

But that couldn’t stop the inexorable progression of the Mary Sue Hunt. Canon female characters in fan fiction became the focus of intense scrutiny. Is this character being, perhaps, idealized? Is she better than she should be?

It was surprising how often she was better than she should be.

I mean, it’s one thing if we write John Sheppard being brilliant and solving a Millennium Problem while being extra super badass and a sharpshooter and extremely hot and having a troubled past and also he can play the piano and small children love him and he rides a horse. It’s one thing if we write Stiles as a badass motherfucker who can hack and do MMA and make small explosive devices and he saves everyone, and also it turns out he’s a surprisingly sexually skilled virgin, and also there’s this scene where he wears skintight leather and he has two boot knives. It is fine to write those things. (AND IT IS.) You could give Sheppard’s horse a telepathic soulbond with him and have Stiles elected president of universe (because he is awesome), and you’d still potentially have a significant and delighted readership. (WHICH IS ALSO FINE. Who doesn’t sometimes like a President Awesome with a Psychic Horse story? Give Sidney Crosby a psychic horse and you’ve got my click.) That’s just having fun and extrapolating from the canon. (Or, in the case of the telepathic soulbonding horse, it’s a crossover. From real actual published original fiction. And people call us strange.)

But if a female character does one of those things in fan fiction, she’s declared a potential Mary Sue. It’s out of character, it’s over the top, it’s wish fulfillment (as if there’s something wrong with wish fulfillment), it’s a self-insert. And that. That is less fine with me. 

And the Mary Sue Problem is not limited to fan fiction. Turns out Mary Sues are also surprisingly prevalent in the canon itself! A tiny sample of the female characters I have heard described as Mary Sues:

  • Hermione Granger
  • Nyota Uhura
  • Natasha Romanov
  • Haruno Sakura
  • Rose Tyler
  • Bella Swann
  • Katniss Everdeen
  • Buffy Summers

Basically, think of any female character who gets more than eighteen lines, from any popular canon. Someone has called her a Mary Sue. Because she’s competent, because she’s smart, because she’s talented. Because she can do stuff, or because she tries to. Because she loves someone, or because someone loves her. Because she thinks she’s interesting. Because the author thinks we should care about her.

Mary Sue, in short, has become another way of dismissing female characters. Of telling women that we can’t be awesome. Of drawing the line between people who do (dudes) and people who are done to (ladies). Yet another entry in the long list of All the Unacceptable Female Characters. Yet another way of viciously scrutinizing every woman, real or imaginary, and either finding her excessively flawed (and therefore terrible) or excessively without flaw (and therefore terrible).

And also, of course, if the author of the Mary Sue story is a fan fiction writer, we make fun of her.

Which is why my actual definition of the term Mary Sue is: it’s a phrase that is useful for describing a certain common tendency in fan fiction that, taken to an extreme, is often pretty repetitive and uninteresting (but not, let me note, actually criminal or anything). Unfortunately, it has, over time, warped into a tool for knocking down ladies who write, and also other ladies, so I’m trying to learn not to use it any more. (But that is hard. Because see above about usefulness. Almost everyone has dreamed up at least one or two of these, and it’s so nice to have a name for them!)

This is a beautiful explanation of why I hate the term “Mary Sue” like I hate fire ant sandwiches.

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zenpencils:

US AGAINST THE WORLD by Gavin Aung Than

This is the third appearance of the Ballet Boy and his father. You can read PART 1 and PART 2.

(Source: zenpencils.com, via toobertpoondert)

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beauafrique:

I remember being teased relentlessly throughout my childhood and my teenage life where people would say that because of my skin I’ll never be beautiful enough, they would even recommend skin bleaching products. So as a child I quickly realised that as a dark skinned girl I was not considered beautiful enough… At that time I didn’t know that it was the negativity from the people around me that was causing me to hate my skin and myself for that matter. I remember a time during school photos where a girl shouted “she’s too dark! You won’t see anything on her ID but her teeth!”, of course everyone laughed it out… And so did I…. Because I didn’t want to make it seem like I was offended… Their feelings felt more important than mine… After all growing up I was always reminded of how unlikely I was of ever being beautiful or finding someone that found my darkness beautiful…..
As a 19 year old today I sit here and say “I never gave in to skin bleaching”, “I was constantly reminded of how ugly I was but that only made me love myself even more….. I began considering myself as someone different, someone beautiful and out of the ordinary.”
Your skin no matter how dark it is that when you smile you can only see the glow of your teeth is worthy of love, your skin is that of a goddess and you should never feel anything about your skin but self love. I write this to all of the people that have gone through similar and worse, you don’t need to learn to Love your skin, the love is already there… You just gotta unleash it.

I would like to hear some stories of yours if you’ve ever gone through the same thing…. Message me on Instagram.
IG: YoungNubiie

(via kogiopsis)

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profeminist:
“ maeril:
“ Hi everyone!
This is an illustrated guide I made as part of my co-admining work at The Middle Eastern Feminist on Facebook! It will be published there shortly.
The technique that is displayed here is a genuine one used in...

profeminist:

maeril:

Hi everyone!

This is an illustrated guide I made as part of my co-admining work at The Middle Eastern Feminist on Facebook! It will be published there shortly. 
The technique that is displayed here is a genuine one used in psychology - I forgot the name and couldn’t find it again so if you know about it, feel free to tell me!
Some could say: “Yes but you can use that technique for instances of harassment other than Islamophobic attacks!”, and my reply is: Sure! Please do so, it also works for other “types” of harassment of a lone person in a public space!!
However I’m focusing on protecting Muslims here, as they have been very specific targets lately, and as a French Middle Eastern woman, I wanted to try and do something to raise awareness on how to help when such things happen before our eyes - that way one cannot say they “didn’t know what to do”! 
I’d like to insist on two things:
1) Do not, in any way, interact with the attacker. You must absolutely ignore them and focus entirely on the person being attacked!
2) Please make sure to always respect the wishes of the person you’re helping: whether they want you to leave quickly afterwards, or not! If you’re in a hurry escort them to a place where someone else can take over - call one of their friends, or one of yours, of if they want to, the police. It all depends on how they feel!

For my fellow French-speakers: I will translate it in French and post it on my page as soon as I can :)

Please don’t hesitate to share this guide as it could push a lot of people to overcome bystander syndrome!!

Lots of love and stay safe!

PS: I you repost this cartoon of mine on twitter or instagram, please add me in the post so I can see it, with @itsmaeril :)

This is a great strategy for all types of harassment, please share!!!

I don’t usually call for a Signal Boost, but FOR THE LOVE OF ALL THAT IS GOOD, SIGNAL BOOST THE HELL OUT OF THIS POST!!!!

(via mrspicydad)

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darknessbloodyshadow123:

cloudsinmycoffee9:

this is literally the greatest subtitling job that has ever been done. someone learned how to speak cat.

*laughs irl*

(via sapphireswimming)

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This Escape Ramp Could Save Frogs From The Certain Death Of Swimming Pools

frogsuggest:

typhlonectes:

The chlorine-treated water that keeps swimming pools clean and disease-free will prove deadly for frogs who spend too much time in it, which is where the Frog Log Critter Escape Ramp comes in…

Suggest! Make safe a human swim hole with trendy frog escape ramp

(via cyberneticspacerock)

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dukestewart:
“ Storm watch.
”

dukestewart:

Storm watch.

(Source: dukestewart.deviantart.com, via the-ghost-who-sold-the-world)

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geardrops:

ambris:

ithelpstodream:

paranoid parrot

I do like, 90% of these.

hold up doesn’t everyone do/think these things?

(via the-ghost-who-sold-the-world)

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starline:

ms-demeanor:

bifca:

justplainsomething:

nakedsasquatch:

lanawhatever:

nakedsasquatch it’s ya man

Okay but seriously folks - as often as I joke about this movie stirs my loins and as weirdly popular as this text post got a while back, I wanna rap with you all about why the George of the Jungle remake is a pretty important piece of cinema.

It’s literally the only movie I can think of that is based completely around the unheard of “FEMALE gaze.” Granted, while I’m a huge movie buff I’ve not seen every movie ever made. But even so, even if there’s another example of the “female gaze” in cinema that has escaped me it’s still damn impressive that a kids movie from 1997 based on a Jay Ward cartoon from the 60’s managed to turn gender representation in media on it’s fucking ass!

First things first, let’s look at our leading lady and love interest - Ursula, played by Leslie Mann.

image

Let me just say that while Leslie Mann is adorable and a talented actress, she does look a little less conventional and a little more plain compared to the bombshells that Hollywood likes to churn out. Leslie, in comparison, looks much more like a real women you’d meet on the street. She dresses pretty conservatively and plain throughout the film ; Wearing outfits that are more functional than fashionable for trekking through the jungle, pulling her hair back and so forth. Not that if she was dolled up and more scantily clad it would give her character any less integrity, but can we appreciate how RARE that is in the male dominated industry of film? Just think about all the roads a film about a woman in the jungle COULD have taken but didn’t - no scenes with her clothes strategically ripped or anything! You can say this is a kids movie, intended for children and that’s why the sensuality of the female lead is so downplayed but there are PLENTY of kids movies that handle women in a very objectifying and sexualized manner despite the target audience is pre-pubescent. Like, a disgusting amount. So I don’t think “it’s a kids movie” is why the film doesn’t take ANY, let alone EVERY, opportunity to showcase the main female character’s sex appeal…

…especially considering the sex appeal of the film rests squarely on the well defined shoulders of our male lead, George of the Jungle played by Brendan Fraser in the best god damn shape of his life!

image

*Homer Simpson Drooling Noises*

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Whenever members of the reddit community try to compare the sexualization of women in fiction to the design of characters such as Batman and Superman, I always want to just sit them down and show them this movie. Because THIS is what the female sexual fantasy looks like, and Batman and Superman are male power-fantasies. Look at him - his big blue eyes, his soft hair, his lean, chiseled physique built for dexterity rather than power. He’s wild and free, but gentle. It’s like he fell right out of that steamy romance novel your mom tried to hide from you growing up.

image

Hell, the whole plot seems to be designed around how damn hot he is! First, for the majority of the film, he wears only a small strip of cloth to cover the dick balls and ass. Everything else is FAIR GAME to drool over for 40 minutes. Then, after he meets Ursula she takes him with her to San Francisco just so we can enjoy him in a well-tailored suit (as seen in the gif set), running around in an open and billowy shirt along side horses while Ursula and all of her friends literally crowd around and make sexual comments about him, and my personal favorite, ditch the loincloth entirely and have him walk around naked while covering his man-bits with various objects while one of Ursula’s very lucky friends oogles him and makes a joke along the lines of “So THAT’S why they call him the ‘KING of the Jungle’…”

image

And yes, it’s also a very cute and funny little movie. Out of all the movies based on Jay Ward cartoons, it was the most faithful to the fast-paced humor and wit of the original source material (yes even the new Peabody and Sherman movie which honestly I thought was too cutesy-poo.) But that’s not why this movie is popular with the gay community or why we all became women in 1997. It’s just really cool that there’s a film out there where the sensuality of the female form takes a back seat for the oiled up, chiseled, physique of Brendan Fraser (in his prime that is)

image

One thing to add: in the scene mentioned above where the ladies are watching him in the billowy shirt running with the horses, it pans back to about 50 feet away to two guys in suits at this party looking at the women and one of the guys says, “Man, what is it with women and horses?” So not only does this movie highlight the female gaze, but it blatantly points out that western male sensibilities don’t have a clue what actually appeals to women.

ALSO

he’s non threatening

as mentioned above, he looks built for dexterity rather than power, but he’s still a 6+ foot tall extremely muscular man, and not once are you worried for Ursula when he’s with her

ALSO

let’s take a look at his rival - Lyle is a cravat-wearing trust-fund kid (who, interestingly, is into Ursula’s fortune more than her, which kind of makes this a gender-swapped gold-digger thing too). He’s blonde and Ursula’s mom LOVES him. He’s more uncomfortable and less prepared to cope with the jungle than Ursula is, in his pastels and shiny shoes.

image

But he talks over Ursula, insists he knows what’s best for her, ignores her autonomy. In spite of the fact that Lyle Van de Groot is a rich, educated, social climber who cares deeply about his clothing and appearances he is a point-by-point checklist of unhealthy masculinity in a way that beefy, inarticulate, uneducated George could never be. Ursula is off on her own doing her own thing and Lyle hires two FUCKING POACHERS to track her down in the middle of the jungle while she’s working (or on vacation? It’s never made clear because he interrupts her before she can explain why she went on the expedition). Lyle ignores the local guides, claiming his experience with a bridge in Maui means the bridge they’re on is safe - which leads to a significant injury for one of the guides. He then tells Ursula the guides are conspiring against him, trying to make himself and his poachers seem safe and the Africans who make up the rest of their party seem dangerous.

image

Check that body language! A post above points out that we’re never worried about Ursula when she’s around George. That’s because Lyle talks to her like this. Look at his aggressive lean! Look at him literally looking down at her! She’s tilted away from him in the least threatening position possible and he’s so aggressive about whatever point he’s making. When he finds her after he pushed her toward a damned lion he kisses her and she pushes him away. Want a textbook example of gaslighting? Here you go: she says “don’t get all smoochy with me! I remember what happened with that lion” and he responds “What are you talking about? I was fighting that lion the whole time - you were just so terrified you don’t remember.”  Then he shoots George! And then he kidnaps Ursula and attempts to force her into marriage!

Now look at how George and Ursula interact (slightly NSFW):

image

Even though he’s a big strong dude and he thinks he’s doing what’s okay he lets her set the tone for their interactions. He accepts that he’s out of his wheelhouse and even if he doesn’t understand it he does what she says is culturally appropriate. He learns from her! He listens to her! Compare Lyle leaning into Ursula above to this image of George and Ursula talking:

image

He’s listening to her, all of his attention is on on her, but he’s totally nonthreatening. His torso is turned toward her but he’s not invading her space, his hands are clasped, he’s smiling, and she’s the one leaning into him. Look at that smile she has, look how happy she is to be listened to. Her posture in both images is vulnerable but in this one with George she’s vulnerable because she has chosen to share with him instead of because she feels threatened.

When George rescues Ursula from Lyle at the end of the film it isn’t a typical damsel situation - George doesn’t have a knock-down-drag-out fight with Lyle, he swings into a tree and offers Ursula a hand so she can reach up and save herself (and before he does it he acknowledges how much it’s going to hurt and *whimpers* and looks human and scared). And you’ve gotta remember that George rescues everybody. It’s not just Ursula - he also rescues a parasailer and gets shot rescuing Shep and Ape. He just likes helping, dammit!

AND this movie offers a perfect counter to the “nice guy” thing - Ursula starts engaged to a jerk who her mom thinks is a “nice guy” the moves on to actual nice man George who isn’t *just* nice - he’s also patient, listens to her, has his own skills and talents, is okay with being goofy, has his own social circle and isn’t totally dependent on Ursula, and looks amazing. Ursula doesn’t go with George just because he’s a *nice* guy who rescued her from an asshole, Ursula goes with George because he’s an interesting, fun person who is supportive of her different way of being an interesting, fun person. AND he’s emotionally available. Google image search George of the jungle and see how many smiles you can find, see how many open looks of confusion there are, see how much sadness you can see in George’s face. Now look for images of Lyle. His two expressions are a smirk and cartoonish fear. I know this is a cartoonish kid’s movie, but it is SO powerful that the hero shares his emotions while the villain masks every emotion but fear. Lyle doesn’t want to open up, he doesn’t want to be vulnerable, he wants CONTROL. George wants to learn, to protect people he cares about, to explore new places, to laugh when he’s happy and to be sad when he’s sad, and that he does that while being a broad-shouldered, physically powerful dude who is NOT totally self-involved is just…

Like, look, I didn’t sign on to tumblr dot com for George of the Jungle discourse, but I’m just now realizing that this movie may have done the most for destroying my conception of stoic masculinity and gender roles as a child.

Like

image

Damn.

2nd reblog because this is even better. 

(via dragonsatmidnight)

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